Tracing the evolution of iconography from its inception to the contemporary era, involving a comprehensive exploration of the transformation of the semantic shifts, tying in the tendencies of our rapidly changing world. What insights can we glean from the deformation, distortion, or reorientation of iconography? Does it still maintain any connection to its religious roots? What defines the modern-day icon?
Visual research through object stimulation, digital and photo ethnography, situation sampling and deep mapping.
Exploring Beijum, Groningen, the Netherlands.
An artist and designer in one, Radost possesses exceptional creativity, critical thinking, and a transcendent approach, evident in the distinct bold signiture of her works.
Born and raised originally in Sofia, Bulgaria.
Received a Bachelor degree in Design at Academy Minerva, Hanze University of Applied Sciences in Groningen, The Netherlands, with a specialisation in Graphic Design.
Engaged in a diverse array of projects across various mediums. Some of them include: creating album covers for musicians, designing installations, working on and conducting archival personal researches, as well as composing and designing books, zines, magazines, and posters of all sort.
Took actively participation in multiple exibitions, notably showcasing her works. Some of them include: “2nd Floor” exibitions by Academy Minerva.
The recognizable and unique style of Radost's work, characterized by a blend of personal elements, reflects her diverse background. Prior to fully immersing herself in the realm of design, Radost dedicated over a decade to dance, infusing her artwork with the movement, flexibility, and emotive transfer inherent to the stage. Employing both analog and digital techniques, her artistic expression range widely of mediums, ensuring that each viewing experience is distinct and singular. Central to Radost's artistic ethos is a commitment to experimentation and a deep trust in the creative process.
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